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There is nothing quite like The Substance right now. It’s unsubtle, it’s provocative, and its satirical humor can be a hit or miss for some viewers, but it strikes at the one thing that’s fundamental to everyone, that can make or break their lives, yet that is rarely given grace and consideration– that is the […]

You would expect a courtroom drama to be built around damning pieces of evidence, passionate speeches, or certain social issues lending weight to the investigation. But what makes Justine Triet’s Palme d’Or-winning Anatomy of a Fall so remarkable is how direct it is. Triet doesn’t treat this case like a puzzle for the audience to […]

How do you make a film about the Holocaust feel new? How do you make the terrors feel fresh, like it was just in the news, without sounding redundant or without giving into the sensationalized and emotionally manipulative? For Director Jonathan Glazer, the answer lies in not what you show but what you don’t show. […]

Of all the Christmas-set films to have come out over the last couple of months that were, inexplicably, about grief and regret (you’d be surprised by how many there are), The Holdovers easily outdoes its contemporaries by being confident enough to just sit with its characters. Like the best of director Alexander Payne’s other films, […]

The concepts of roads not taken and domino effects have received plenty of cinematic attention in their showier forms by way of multiverse comic book movies and dimension-hopping films like Everything Everywhere All At Once. But, though there’s no hint of sci-fi in Past Lives, Celine Song’s gentle film can count itself as one of […]

It’s always refreshing to see people in esteemed positions let their guard down, not to mention smoke a vape or gossip feverishly, as we mere mortals do. But Conclave is more than just a candid look at what goes down in a process as elaborate as a papal election. It’s a portrait of man’s innate […]

Martin Scorsese’s Killers of the Flower Moon isn’t a whodunnit; in fact, it’s closer to a who-didn’t-do-it. We know from the very beginning who is responsible for committing the brutal serial murders of wealthy Osage Native Americans in 1920s Oklahoma that the film chronicles: pretty much every single one of their white neighbors, spearheaded by […]

Once you get over the fact that A Complete Unknown isn’t like most biopics, the film becomes a blast to watch. It doesn’t extol the virtues of its hero, nor does it pretend to know who Dylan is at his core. Instead, the film relishes his enigma and puts forward his flaws alongside his genius. […]

Just a few minutes in, you can already feel the immensity of The Brutalist. The rousing score stirs you. The weight of The Holocaust and Toth’s immigration story, which is also one of xenophobia and addiction, pulls you in. The visuals, shot in VistaVision, demand your attention. The period setting calls for nostalgia, but the […]

Poignant, delightful, and simply gorgeous, Licorice Pizza just might be Paul Thomas Anderson’s best work to date. The period dramedy follows two young people, one in her 20s and one in his teens, as they strike an unlikely but lovely friendship and try to find their place in the world. They may be 10 years […]

On the one hand, American Fiction is a razor-sharp satire that pokes fun at the hypocrisy of the literary and entertainment industry. It’s only when Monk (Wright), a genius but esoteric writer, decides to pander and give in to what publishers have come to expect from Black authors (that is: trauma porn) that he is […]

When Big Tech and trolls have all but villainized the internet, it’s hard to forget that good can come out of it sometimes. But Missing makes a case for its usefulness by making it the sole means by which an 18-year-old tries to find her missing mother. Played by Storm Reid, June Allen is endlessly […]

In Drive My Car, a widowed artist travels to Hiroshima for his latest production. There he meets a young woman enlisted to drive him around the area. They forge an unexpected bond and soon share pithy observations and long-buried secrets, which culminate in a touching scene of catharsis and forgiveness. Not a lot is said […]

In this documentary about John Allen Chau — the American Christian missionary reportedly killed when he tried to preach the Gospel to one of the last uncontacted groups in the world — a participant muses about the “fine line between faith and madness.” The hazy border where one ends and the other begins is the […]

Belfast stars Outlander’s Caitríona Balfe as the mother of a working-class Northern Irish family during The Troubles. Religious tension and the lack of opportunities put the family in a difficult position: they’re the first in many generations to think about leaving the city of Belfast. They all have to navigate so many difficult questions on […]

Normally, a film like this would be a straightforward documentary with archival footage and key interviews with experts in the issue. But instead of taking that approach in Four Daughters, writer-director Kaouther Ben Hania takes a more personal approach, understanding that the topic in question isn’t just about extremism, but that this is a tragedy […]

From Aaron Sorkin, the creator of every liberal’s favorite 2000s political drama, The West Wing, The Social Network, and the master of the “walk and talk”, comes the dramatization of a sadly true American story from the mid-last century. In 1968, different groups from all over the country travelled to Chicago to protest the Vietnam […]

Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves […]

With the tried-and-tested music and lyrics of Brenda Russell, Allee Willis, and Stephen Bray, this film adaptation of the Color Purple musical was practically guaranteed to have power in its key moments. And with a cast that includes tremendous vocalists like Fantasia Barrino and Danielle Brooks (both of whom had previously played their respective characters […]

Winning him Best Director at the Academy Awards, Kenneth Lonergan’s drama Manchester By the Sea is a delicate and profound study of loss and grief—and a true triumph. Its focus on characters, well-paced unfolding as well as world-class acting are only equal to the very best of European dramas. This type of quiet exploration of […]

With Howards End, the magic trio of producer Ismail Merchant, director James Ivory, and writer Ruth Prawer Jhabvala converted yet another turn-of-the-19th-century EM Forster novel into exquisite cinematic form. Ravishingly shot and performed to career-best heights by many of its cast, Howards End loses nothing of the elegance we expect from a period drama, and […]

A beautiful coming-of-age story that is mixed with one of the best depictions of a mother character in movie history both make Lady Bird an absolutely exquisite film. Its slice-of-life story taps into the universal issues, dreams, and frustrations that almost every small-town kid has faced; and it manages to do all of this without […]

Released in between Francis Ford Coppola’s famed Godfather trilogy, The Conversation is the director’s undersung gem of a film. It follows surveillance agent Harry (Hackman) as he obsesses over a conversation he’s asked to record. Hyperaware of how privacy is rendered useless by people like him, he starts to get overly suspicious about everything and […]

Why do we stay alive? Do we owe it to people to stay alive? Not everyone thinks about these existential questions, and even less are obsessed with them. But the characters in The Hours, who span centuries, do. It’s one of the few things that tie them together, along with female malaise and a love […]

The visceral pain at the center of this adaptation from period drama powerhouse Merchant-Ivory comes not from fading or unrequited love but unrealized affection. Try as he might to repress his feelings, devoted butler Mr. Stevens (Anthony Hopkins) can’t stifle the blossoming attachment he shares with housemaid Miss Kenton (Emma Thompson). And yet, at every […]

A woman yearns to find her biological mother, another woman struggles with infertility, a third wants to connect with her rebellious daughter. Director Mike Leigh has the prowess to seamlessly weave these stories together, and part of the joy is knowing, that like clockwork, these narratives are set on a spectacular collision course. As melancholy […]

Gosford Park inspired screenwriter Julian Fellowes to create Downton Abbey — but don’t let that association fool you, because this is no quaint, sentimental period drama but a scalding satire of 1930s England class relations (even though Maggie Smith does play a withering dowager countess here, too). Robert Altman, master orchestrator of ensembles, assembled a […]

The Goodbye Girl is a charming romantic comedy following single mom Paula and her 10-year-old daughter Lucy (Quinn Cummings) as they reluctantly share their apartment with Elliot, a friend of her ex subletting the place. The plot is formulaic: Paula and Elliot are at each other’s throats, constantly sniping at each other while simultaneously charming […]

Ostensibly about Fanny Brice, there could never be any other Funny Girl than Barbra Streisand. Reprising her role on stage, she practically immortalized the story on screen, carrying it through her immaculate performance, compelling chemistry with Omar Sharif, and of course, the spectacular song numbers. She’s one reason as to why Funny Girl became one […]

Directed by Sidney Lumet (12 Angry Men, Dog Day Afternoon), The Network is often referred to as a satire, but as someone who has worked in the broadcast news industry, I hesitate to call it one. Sure it’s amped up the rage and ridiculousness, but the desire for ratings at all costs? The power-hungry executives […]

The Verdict’s plot is familiar. It follows a lonely, washed-up lawyer who subverts expectations by siding with the small guys and going against the big guys—in this case, a renowned hospital and its religious and political backers. Despite this, the film is gripping from start to end, thanks to a tight-knit script and the powerful […]

IRA terrorists kidnap a British soldier to negotiate an exchange for one of their own imprisoned members. Among them is Fergus (Stephen Rea), whose ambivalence is amplified by his interactions with the hostage soldier Jody (Forest Whitaker) while guarding him. After the terrorists’ plan goes awry, Fergus tracks down a woman Jody spoke of during […]

Wes Anderson’s amazing visuals, dry characterizations, and yarn-spinning story-telling all add up to a delightful flick. Jude Law, staying at the decrepit but once plush Grand Budapest Hotel in the fictional Republic of Zubrowka, encounters the mysterious Zero Moustafa (F. Murray Abraham), the hotel’s owner. Over a bottle of wine, he discovers the charmed history […]

FBI agents Rupert and Alan (Gene Hackman and Willem Dafoe) visit Jim Crow-era Mississippi to investigate the disapperance of three civil rights activists. They find out soon enough, however, that answers won’t come easy when local officials and police have ties with the KKK. There’s no shortage of films like Mississippi Burning, but it stands […]

Based on a stage play of the same name, Who’s Afraid of Virginia Woolf? is a masterful example of how vital blocking is in movies. The film takes place in a few locations–a New England home, the yard, and a roadhouse a few miles away–and is shot in simple black and white. There are only […]

The award-winning third feature by director Ava DuVernay, Selma, was released around the 50th anniversary of the historically significant marches (Selma to Montgomery) that aided the civil rights movement’s efforts to assure African-American citizens can exercise their constitutional right to vote, harassment-free. The film has been celebrated not only as an artwork, but also as […]