21st Century’s 100 Best Overlooked Movies

In 1980s Dublin, a young Irish catholic-school boy, whose family is facing financial problems starts his own band with the sole objective of impressing a mysterious femme fatale. The film takes you on a beautiful and witty journey through the band’s path to success and our protagonist’s quest in conquering his love all to the rhythm of some of the biggest 80’s pop-rock hits and the band’s own original soundtrack. Without a doubt this film is the long awaited passion project of filmmaker John Carney (Once, Begin Again).

A beautiful coming-of-age story that is mixed with one of the best depictions of a mother character in movie history both make Lady Bird an absolutely exquisite film. Its slice-of-life story taps into the universal issues, dreams, and frustrations that almost every small-town kid has faced; and it manages to do all of this without feeling forced or cliché. This is because of the attention and care that were given to it but also because of how tightly it’s based on the life of its writer / director Greta Gerwig. A wonderful movie.

Lion is the award-sweeping movie based on the true story of a kid in India who gets lost in a train and suddenly finds himself thousands of kilometers away from home. 25 years later, after being adopted by an Australian couple, he embarks on a journey through his memory and across continents to reconnect with his lost family. Dev Patel plays Saroo, and Nicole Kidman plays his Australian adoptive mother. Two truly amazing performances that will transport you to the time and place of the events, as well as its emotions spanning tear-jerking moments and pure joy. An uplifting, meaningful, and beautiful movie.

This movie is a complete no-brainer.

It follows two assistants in busy New York City, both of them overworked and underpaid. They come up with a plan to set up their bosses (Set it Up) so that when their bosses finally take some personal time together, they could too. In a lot of ways, it’s the perfect argument to anyone who says that the rom-com genre is dead. It’s light, it’s easy, and it’s entertaining.

At the same time, there is a heartwarming vibe that’s not too cliché, and a couple of well-known actors — Lucy Liu and Taye Diggs — that help carry the plot. Don’t expect to be mind-blown but this film will leave you feeling content.

Watch this if you like weird movies. And don’t be fooled by the first half, which serves just to set Jesse Eisenberg’s character and the monotone life he leads. It’s the calm before the storm, during which that character is attacked by a violent gang and decides to take self-defense classes in an unusual club. This is a movie about modern manhood and how it can lead to some pretty strange situations. Great performance from Eisenberg as usual.

A poetic and peculiar movie from Senegal about a girl who is forced to marry a wealthy businessman instead of her love interest. The latter, a poor construction worker, embarks on a risky journey across the sea to Europe. The story takes a supernatural turn thereafter, one that is unlike anything seen before in stories around immigration, but one which makes sense. Still, the excellent acting and the long takes that immerse you in what life is like in Senegal, both in and out of the margins of society, are the reasons to watch here. Atlantics’ characters are believable and will capture your interest throughout the usual and unusual parts of the movie. They provide rare insight into narratives that most of us have never been exposed to.

Shot almost entirely in one take and on a tiny budget, and yet the central performance in this movie is still better than most big-budget dramas I’ve seen this year.

Two indigenous women, one upper-class and the other impoverished, meet on the day that the rich one gets an IUD and the other one, pregnant, finds herself kicked out of her home. They spend a few hours together: they talk, they take cabs, walk, etc; and you as a viewer, follow them throughout their intimate yet difficult moments.

If you like subtle movies that showcase how people live and interact with one another, beyond plot-obsessiveness, this is for you.

An uplifting and inspiring movie with Felicity Jones and Armie Hammer. Jones stars as Supreme Court Justice Associate Ruth Bader Ginsburg in this biopic centered around her hallmark case against sex-based discrimination. While it doesn’t feel like it truly conveys the power of Ginsburg’s story, her determination, or all the odds that were stacked against her, it serves as a mellowed-down preview of her remarkable story. Watch this if you’re in need of a good dose of inspiration.

A funny, feel-good French movie about a man who joins a synchronized swim team to get over his depression. Comprised only of other middle-aged men, they decide they want to compete for the world championship. Sounds like an unlikely story? It’s actually based on a real-life documentary from Sweden called Men Who Swim. If you get French humor, this will make you laugh (a lot), and if not, you’ll surely enjoy the easygoing tone of Sink or Swim.

A thrilling French movie about a nuclear submarine division that is confronted with a world-ending scenario.

One sonar agent is at the center of the story, his exceptional hearing capabilities are the main resource of the submarine commanders he works for (one of whom is played by the masterful Reda Kateb).

Wolf’s Call tries very hard to be a Hollywood movie, but even if it serves as a reminder that countries like France don’t have to always make arthouse films to be noticed, the visual effects and the writing fall short of that big-budget feel.

Still, if you’re looking for a fun movie that’s full of surprises, solid acting, and a great heroism tale, you’ll love this.

This movie is a wild ride, literally, since it mostly takes place on a bus driving really fast. It’s about one Russian-American social worker who gets hung-up between helping his community driving a group of elderly Russians to a funeral or helping the people he’s hired to help.

In its essence, Give Me Liberty is a comedy where the chaos doesn’t stop escalating, but thanks to impeccable character work and excellent acting, it’s a relevant and poignant movie. You will find yourself in the same position as the social worker, trying to decide who needs his help more.

This funny and charming movie is about a Palestinian slacker named Salam who works on a famous Israeli soap opera. Each day, he has to pass a tough Israeli checkpoint to get to work and in an attempt to make things easier for himself, he agrees to change the ending of the soap opera to please the officer in charge of the checkpoint. At the same time, a temperamental French actress and his Palestinian love interest wish for opposite endings to the show. Stuck between love and politics, Salam has to navigate a complex situation to please all sides. There are a lot of hummus jokes.

A biopic is only as big as the personality at its center, and what a personality Pavarotti had. The Opera singer that crossed into the mainstream from his humble upbringings in Modena, Italy, exuded happiness and had a great outlook on life. And even as the attention he would eventually attract takes its tole, he’s able to maintain his positivity and his dedication to his art. This documentary on his life and his work will be even more interesting to you if like me you didn’t know who Pavarotti was, or the impact he’s had.

This low-stakes coming-of-age movie stars SNL’s Pete Davidson as Zeke, an aimless college dropout. His best friend, Monroe, is still in high school and is much younger and more innocent. Monroe doesn’t realize that he has a very biased outlook on life through Zeke, as he starts drug dealing, partying, and dating according to rules that are not his own.

Big Time Adolescence tries to be a statement on destructive friendships but doesn’t fully succeed. Its true value is that it’s a movie that you can turn your brain off to, and those rarely come with statements.

This slow romance is set in a Seoul bakery during the 1990s. A boy fresh out of juvenile detention and a part-time employee fall for each other while working there. For a while, their existence is joyful and quiet as they sell bread and bond.

However, the Asian financial crisis of 1997 forces the bakery to close. This makes them seek different jobs away from each other.

As a romance, Tune in for Love is not original but it doesn’t need to. It’s just easy and enjoyable.

This extremely unusual movie about the life of legendary Chilean filmmaker Alejandro Jodorowsky (as in Jodorowsky’s Dune) was financed by an Indiegogo campaign, giving his already unusual style full freedom. There are cardboard trains, ninjas, and disturbing sex scenes. It all serves to tell his life of growing up in a bohemian neighborhood in Santiago, Chile, going against his family, becoming a poet, and joining the Chilean avant-guard movement. Jodorowsky, now 91 years old, went on a 23 year hiatus before making this movie and its prequel, The Dance of Reality, both about his life.

If you like movies without plot, you’ll love Korean master Hong Sang-soo’s work in Grass. Sang-soo likes to write the script for his characters and not the other way around: he hires actors, then writes a script that would fit them every morning of the shoot.

The result is a personal movie that feels improvised and experimental, despite being quite simple: it’s about a small café and a woman who observes the interactions of the guests.

With his dad in jail and mom lost to a drug overdose, Michael lives a lonely life with his grandpa in Dublin.

A minor drug bust sends him to jail for three months and implicates his grand-father with a gang.

Michael Inside uses this brief period of incarceration to offer commentary on the Irish underclass, both inside prisons and out. It’s a tough watch that aims for realism and doesn’t miss.

This is a movie with which you can easily connect. I have never experienced such deep connection and feelings towards characters. Seven friends get together for a dinner, and they decide to share every text message, email, and phone call they receive. The difference we all have to some degree between our public selves and private lives is the same one that comes out and threatens the balance between these long time friends.
The film may feel a bit claustrophobic for some but that same feeling allows you to laugh, to shiver, and to even feel the deepest sorrow alongside the characters. For me this is a must watch.

This twisted movie is actually two movies, the credits even roll in between. The first half is gorgeous: talented dancers get together for a party and perform beautiful contemporary dance sequences. They introduce themselves through their audition tapes to join the dance group, but also through conversations at the party. The second half is less fun. It turns out someone had laced the sangria they’ve been drinking with a psychedelic drug. Not for the faint of heart or anyone who didn’t like director Gaspar Noé’s past movies (Enter the Void, I Stand Alone, etc).

This is a slow but well-made movie about a Jehovah’s Witness family, directed by a former member of the organization.

The family is made of Alex, her mother, and her older sister. Alex follows her mother and her religious teachings with the utmost loyalty, especially as she refuses a blood transfusion that is crucial to her health. Her older sister starts showing signs of independence by lying to her friends about her family’s faith and dating a Muslim man.

Apostasy is about family bonds versus belief bonds. It’s not a movie that judges or preaches, rather it simply portrays the complex situations that structured religion creates.

The 1980s were not a great time to be of Pakistani descent in the UK. Hate crimes are at an all-time high and the economy is suffering. Plus, there is really no good era to be a misunderstood teenager. Javed is both those things in this coming-of-age comedy based on a true story. Javed finds solace in the music of one Bruce Springsteen, relating to his themes of small-city blues and the dreams of escaping them.

All of this makes Blinded By The Light a charming movie about a lot of unpleasantness, and while it tries to be too many things (a commentary on race, a musical, a coming of age story, etc), it succeeds where it matters: to treat the story with care and intelligence.

A quiet movie about an unpredictable convict who gets enrolled in a wild mustang taming program. These initiatives, common around the country, offer fascinating parallels: both the horses and the inmates are emprisoned, both innately fight against their condition but are actively being made to comply. The central performance by Matthias Schoenaerts is nothing short of a masterpiece. He doesn’t speak much and you almost don’t want him to: everything else he does communicates so much more than words. Watching this movie just for him is reason enough.

This Danish film which was the country’s submission to the Oscars is about a delicate subject. A lawyer who specializes in defending children, and who is used to developing closeness with her clients including meeting with them in her home, starts having an affair with her teenage step-son.

There is inherent tension to this obviously very explicit plotline: how would a serious, non-erotic (or not-only-erotic) movie like this one portray such attraction. And of course, afterwards, what are the implications?

This Swedish movie is the story of Astrid Lindgren, one of the most translated children book writers of all time. Her work of over 100 books includes Pippi Longstocking and The Brothers Lionheart.

Away from the quiet existence of the characters she would later create, Astrid had a turbulent life. Her troubles start when she falls for the editor of the paper she worked at when she was young, a man 30 years her senior. This results in an unwanted pregnancy and Astrid is pushed to immigrate.

Logan Lerman (The Perks of Being a Wallflower) and John Hawkes (The Sessions) star in this easy road drama about a father who tries to rekindle with his son. After the mother passes away, they try to execute her dying wishes of spreading her ashes in her home country of Ireland. The son, Lerman’s character, is freshly released from jail and accepts to take the trip on the one condition that he never sees his father again. This premise makes for a fun mix between a family drama and an adventure movie. Both characters have a lot to discover in Ireland: about the country, each other, and themselves.

Penélope Cruz and Javier Bardem star in this mystery by Asghar Farhadi, the Iranian Oscar-winning director of A Separation and The Salesman. When Laura returns to her small Spanish hometown with her two daughters, she is greeted with the warm welcome worthy of someone who once was a loved member of the community. However, when an event concerning one of her daughters happens at a wedding, secrets come to the surface about her history that threaten the fabric of the whole village. Laura is masterfully played by Penélope Cruz, who seems to shift gears in this Spanish-language movie. Farhadi is outside of his usual territory, but he does what he does best: deliver a rich, thrilling family drama.

John C. Reilly and Steve Coogan are fantastic in this biopic of a comedy double that governed turn-of-the-century Hollywood. The movie stars with a snippet of their success but is mostly focused on their later years. With their big hits behind them, Stan Laurel and Ollie Hardy embark on a disappointing tour across Britain while trying to get one last movie made. Their story is about how the creative bond between two lifetime performers evolves through time, successes, and failures. It’s a cute tribute to a duo whose lives weren’t so different from their comedic act.

An 80-minute documentary about a diver who gets stranded in the deep sea with 5 minutes of oxygen left, while the nearest rescue team was 30 minutes away. This type of diving in the depths of the sea, as someone explains, is like “going into space but underwater”.

The documentary uses genuine footage from the dive as well as interviews of people who were present. Still, some parts of this incredible story can’t be explained. And if like me you’re not familiar with diving, everything will have more appeal. The vessel they use is quite impressive, the duration of its dive is obscene (28 days!), and lastly: the divers inhale helium (and speak with a funny voice) the whole time they are down there.

This difficult movie is about a seventeen-year-old from the U.S. underclass who has to deal with an unplanned pregnancy. Autumn is creative, reserved, and quiet, but those are not qualities that her environment in rural Pennsylvania seems to value. On the opposite, she is surrounded by threats, including disturbing step-father and boss characters. 

Dangers escalate as Autumn decides to travel to New York to have an abortion. Never Rarely Sometimes Always is about unplanned pregnancies as much as it is about just how dangerous it is to be a teenage girl living in America.

This Brazilian drama is about a loving mother of four, Irene, who has to deal with the upcoming departure of her eldest son. This news triggers Irene’s anxiety, who is trying to finish her high-school diploma as well as building a home for her kids.

Loveling is about being relentless in one’s pursuit of improving their situation, about empty-nesters syndrome, and the ups and downs of family life in general.

A non-comedic Melissa McCarthy stars in this movie based on a true story. She plays author Lee Israel who after struggling to pay her bills starts forging letters from famous writers. Being a great writer herself, she’s able to skillfully mimic some of the greatest American novelists. But how far can she take it? With only her cat and an ex-convict friend at her side, this movie takes you through her desperation and anxiety as she turns into a full-blown criminal. Nominated to three Oscars, including Best Actress for McCarthy.

This is a really weird movie starring Colin Farrell and Nicole Kidman. They play a wholesome and well-off couple where Farrell is a heart surgeon. The movie starts with him taking care of a teenager called Martin, who’s not related to him or seems to have any real connection with him. It later turns out that Martin shares a special bond with the surgeon, a bond that will threaten his family in unexpected ways. The camera work and direction by Yorgos Lanthimos (The Lobster, The Favourite) offset the weirdness to offer an intriguing experience.

A simple movie about a Scottish country singer with a dream to go to Nashville, U.S.A and reach stardom. It starts with her leaving prison to return to her mom’s house, where her kid was being raised in her absence. Heavy stuff, but this girl is determined to let nothing get in the way of realizing her dreams. Will she make it? At what cost? Wild Rose answers those questions with a warm script that’s designed to make you feel good without completely misleading you. Think of it as a more grounded A Star is Born.

This Eddie Murphy comedy had all the ingredients to be both a famous movie and an award-winner, but neither happened. It tells the true story of Rudy Ray Moore, a comedian who became famous for creating a character called Dolemite, a pimp, and who later attempted to make his own movie based on the same character. Murphy plays Rudy, but there are also other recognizable faces in supporting roles: Chris Rock, Wesley Snipes, Keegan-Michael Key, Snoop Dogg, and many others. It’s above all a funny movie, but being Eddie Murphy’s first R-rated movie since 1999, it’s also a realistic portrayal of both 1970s L.A. and the struggles of being a black filmmaker at the time.

Jia Zhangke (who NPR critic John Powers once called “perhaps the most important filmmaker working in the world today”), directed this movie based on the story of a gangster he knew while growing up.

And he is far from being the only noticeable talent here. Actress Tao Zhao shines as a character called Qiao, a dancer who infiltrates the crime scene in Northern China by way of her boyfriend (the gangster). When a boss leader is assassinated, Qiao finds herself in jail after she refuses to incriminate her boyfriend. 

This is a gangster movie but it’s also about how Qiao processes her time in jail and what she does once she gets out. It serves more as a character study and a picture of modern-day China.

Hassan Fazili and Nargis Fazili are two filmmakers who, faced with death threats, escape their home in Afghanistan and start a journey to Europe that millions of others have taken over the past few years. But unlike most others, the Fazilis filmed everything on their way.

The result is not only a portrayal of the dangers they go through but it’s also about less obvious and possibly more common aspects of the refugee experience. It’s about the wait in refugee centers (that can last many years), the anticipation and also what it means to do all of this with children. Because watch out for the little Fazilis, who travel with their parents, for they will steal your heart.

This lovely romance is about Ellie, a straight-A student who takes money from a classmate, Paul, to write love letters for him. Ellie does this to help with the household bills but there is one big problem: the girl Paul is in love with is also the girl Ellie has a crush on.

This might seem like the set-up for a standard Netflix comedy (and if you’re thinking Bergerac, you’re right, it is based on the famous play) but as the introduction of the film reads: “This is not a love story … not one where anyone gets what they want.”

It is in fact, personal work from a brilliant and quality-focused director, Alice Wu. Her last movie, Saving Face, a pioneering lesbian romance set in an Asian American context, was released a long 15 years ago.

This realistic drama produced by the director of Toni Erdmann is about a group of German workers who are sent to the Bulgarian/Greek border to build a water pump.

Their arrogant leader harasses a local and flies a German flag, prompting a clash with the nearby village.

Unlike the reference of its title, Western doesn’t follow any format and is not interested in portraying violence. Instead, it’s a quiet look at how people handle social and cultural tensions.

Freediving is a particularly cinematic sport because it taps into something beyond what the human body is capable of. Skilled divers hold their breath for long enough to reach more than 100 meters deep, and watching footage of that incredible feat is exhilarating, to say the least. The Deepest Breath capitalizes on that very spectacle—being exposed to death and conquering it—and banks on using archival footage of world records and training. It’s a smart move, as it keeps the spectator on edge, but it can also be a cruel way to put thrills over ethics. The editing is kept suggestive, but sometimes, shamefully, at the cost of misrepresenting Alessia Zecchini and toying with the viewer’s expectations to the point of callousness.

A 40 minute, often jaw-dropping movie about an innocent man accused of killing a teenage girl and the attempt to clear him from the murder. The man in question is Juan Catalan, a young father of two who had had a fair share of interactions with the law. His brother had recently been convicted for another murder case, and the witness to his brother’s trial was the girl that Juan Catalan would be accused of killing. The fight to prove that he is innocent goes through different phases, one of which amazingly includes Curb Your Enthusiasm and Larry David himself. It’s a crazy story told in a very straightforward manner. Don’t expect the impact of Making a Murder or anything like that – but if you’re in it for the story, you will not be disappointed.

A chilling and dark movie to be especially appreciated by true suspense lovers. At the funeral of the family’s matriarch, no one is emotional except the granddaughter, whose grieving is disturbing, to say the least. When both grieving and not grieving are unsettling, you can tell what kind of family (and movie) this will be.

Thunder Road is both a single-shot 13 minute short and a 91-minute feature-film expanding the story. Both are excellent and award-winning, but I really recommend the full experience!

Jim Cummings (above) is the director, writer, and main actor of this dark comedy. He plays a police officer having the worst day of his life as he tries to sing Bruce Springsteen’s Thunder Road at his mother’s funeral.

This sight is funny, and so is most of the story. But it’s also cringe-inducing, and because the main character is so sincere in his decline, will make you feel guilty about laughing so much. 

If you like: weird movies and / or Scandinavian mythology, this movie is for you. It’s about unusual looking border agent with super-human abilities (such as smelling fear and shame) who meets someone like her for the first time There is a big revelation in Border that I can’t share but while this movie was directed by an Iranian (Ali Abbasi), it’s deeply rooted in Swedish folklore. Themes of identity, gender, and otherness intersect through a thrilling script and beautifully-shot nature scenes.

A quiet documentary that was released to celebrate the British Royal Air Force’s centenary, Spitfire tells the story of the famous plane that younger audiences might only recognize from movies like Dunkirk or Darkest Hour. It features gorgeous footage of the last remaining planes in service flying over the British coast, testimonies from pilots who are still alive and a reminder of the key role that this plane once served. It feels like an attempt to capture and archive the importance of the plane, but also of its pilots, who for the most part were young kids with little training, but who, with time, learned valuable lessons from warfare. A must for aviation fans and a great option for anyone looking for a quiet movie to watch with their family (grandparents included). 

This crime drama based on a true story is directed by Clint Eastwood and produced by Leonardo DiCaprio among others. It’s about a peculiar security guard who finds a bomb at the 1996 Atlanta summer Olympics moments before it exploded. But while first hailed as a hero, the authorities quickly suspect him of being behind the bomb. Just like Eastwood’s other creation, Sully: Miracle on the Hudson, Richard Jewell is a simple story that if it wasn’t for excellent directing, would not be enough to make a movie out of. But great performances and a great script make this movie not only worthwhile but a timely comment on the trustworthiness of law enforcement.

Nisha, the daughter of conservative Pakistani immigrants in Oslo, finds ways to secretly go out with her Norwegian friends. She goes to parties, plays basketball, and dates.

One day, Nisha’s father catches her with a boy, bringing what he perceives as a great shame to the family. Nisha’s delicate balance is broken, and her family acts drastically: without telling her about their plans, they move her to Pakistan.

What Will People Say is based on its director and writer Iram Haq’s own experience being kidnapped to Pakistan and going back to Norway at age 16.

This coming-of-age drama is set in a remote fishing village in Iceland. It follows a group of boys during a summer who catch a break from the harsh Icelandic nature. They spend a lot of time outdoors bonding together and discovering themselves.

One of the boys develops feelings for his best friend, Kristian, while Kristian chases a girl.

Watching the boys wrestle with their growth in this wasteland playground is amazing, but the shots of fjords, beautiful coastline, and living so in touch with nature, all of that almost steals the show.

Jessica Chastain plays a driven Washington lobbyist called Elizabeth Sloane in this high-speed political thriller. After being pitched to work for the gun lobby, she decides to work for the opposition: an NGO trying to pass a background check bill. It’s a long movie, and even if everything happens fast, it still lags. 

The events do wrap up by the end to explain the complex plot. Not to mention, Chastain’s performance something to behold and is reason enough to watch. Her character’s hidden motive and questionable methods make her an anti-hero, but Chastain always keeps a lure of hope that her character will redeem herself. That delicate balance might be the most thrilling aspect of Miss Sloan.

This uplifting Canadian sports drama is based on a true story set in the remote Nunavut town of Kugluktuk. The small community has the highest teen suicide rate in North America, as it suffers from intergenerational trauma, and the resulting alcohol and drug abuse. A new young history teacher who is sent by the government is shocked by the state of the school and the lives of the teenagers. He realizes that he can’t engage the kids with history, and turns to his passion for Lacrosse to try to ignite change.

The teacher and director of the movie are both white, which, added to the story, raise red flags about white savior tropes. But thanks to First Nation producers who made sure the kids had time to develop their characters, The Grizzlies narrowly misses disaster. Instead, it gives a voice to communities that are rarely heard from. 

This artistic Australian coming-of-age drama stars Eliza Scanlen (Little Women, Sharp Objects) as Milla, a teen from a dysfunctional family. The father is a psychologist and the mother suffers from depression, so he medicates her under the table. Meanwhile, Milla, a 16 year old, starts dating a charismatic almost-homeless 24 year old drug dealer. Unusual circumstances make the family tolerate the relationship in this story where every character feels like the main one. 

If you’re looking for something different, you will love Babyteeth. Something happens to Milla in the 10 minute mark that descriptions and reviews online all mention – but is definitely a spoiler. Just know that it’s not all romance and coming-of-age, there is slow-burning darkness to this movie. 

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Chinese artist Ai Weiwei directs his attention towards the ongoing refugee crisis, the biggest displacement of people since World War II. His documentary is apolitical and tries to focus on the human side of the picture. It’s not a news report or a commentary on the causes of the situation. Instead, it’s a combination of heartfelt stories spanning 23 countries that showcase people’s battle for dignity and basic rights. A truly epic movie complemented by impressive drone footage that’s as impressive as it is sad.

The work of two people stand out here: the actor Christian Bale and the cinematographer Masanobu Takayanagi (Silver Linings Playbook, Warrior, The Grey, Spotlight, etc.) Bale plays an Army Captain who agrees to escort a dying Cheyenne war chief and his family through treacherous lands. The general and the chief, being old enemies, embark on a journey where their conflict seems the least of their worries. The cinematography is lush and reminiscent of the classics of the Western genre. It is a harshly stunning film you should watch.

This is a gorgeous Danish period drama that’s based on a famous story and book in Denmark called Lykke-Per (or Lucky Per) by Nobel Prize-winning author Henrik Pontoppidan.

Per, the son of an overbearing catholic priest, leaves his family house in the country side to seek a new life in Copenhagen. His passion about engineering was at the time contrary with the Christian faith, but manages to introduce him to the capital’s elite, and a chance at social ascension.

Lykke-Per and A Fortunate Man are about nature versus nurture. Per’s passion about engineering and renewable energy (back in the 1920s) is set against his need to emancipate and the pride that was instilled in him by his upbringing.

There are far too many things that are worse in life than being on a journey with Danish super talent Mads Mikkelsen (Hannibal, The Hunt).

And that is what this 98-minute movie is: an almost one-actor movie set in the arctic. Mikkelsen plays a man trying to survive a plane crash, which at some point becomes about deciding whether to embark on a dangerous journey or stay in the plane rubble and risk a slow death.

It’s an extremely well-acted movie with nail-biting suspense. Bonus fact: it received a 10-minute standing ovation when it premiered at the Cannes film festival this year.

Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.

Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.

Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.

In a small Italian town, a dog cleaner’s wholesome days dealing with elderly owners and eager children are balanced with a series of messy nights. The small and frail man finds himself targetted by the town’s black-sheep, a strong and fearless ex-convict. Dogman is about the line between being bullied and wanting to be part of something, it’s a beautiful and often thrilling character study from Italian genius filmmaker Matte Garone. Won the Best Actor award at Cannes.

The Platform is the closest thing to Parasite released so far. This interesting Spanish movie is about 90% a science-fiction drama and 10% a horror movie. It’s an allegory set in a future where prisoners live in vertical cells, and each cell has to wait for the cell above it to eat to get food. Depending on the floor where prisoners wake up, they might not get any food at all. This creates for disturbing situations that are hard to see as not representative of our modern societies.

This earnest documentary is about filmmaker and actress Maryam Zaree’s journey to unravel the truth about her birth. Her parents are part of a generation of Iranian revolutionaries who were jailed, many executed, and now have taken exile in Europe. The torture and difficult prison conditions they experienced are cause for so much trauma that Maryam, born in prison, has not been told anything about her birth. Her mom, now Germany’s first foreign-born mayor, cannot get past tears to tell a story that Maryam is determined to know. 

Her mom is not the only one who is unable to tell the story, as Maryam’s quest uncovers more silence. In the end, Born in Evin is as much about the question of “is the truth worth getting told?” as it is about the truth itself. It’s a heartfelt exploration of trauma, both for the generation that experienced it and for the generation that follows.

The performance of a pot-bellied Joaquin Phoenix is nothing short of perfection. He brilliantly portrays a hitman down on his luck who happens to rescue a kidnapped teenage girl. It’s a tight movie, running a short 89 minutes. It makes a point that sticks. Pure entertainment, pure acting, and amazing directing by Lynne Ramsay (who also directed We Need to Talk About Kevin).

Finnish director and megastar Aki Kaurismäki hits with yet another absurd but poignant movie. The Other Side of Hope is about a Syrian refugee and his journey across Finland, both the country and the culture, in hopes for a fresh start. It’s a genuine and simple movie, played masterfully by a cast of newcomers. But in its simplicity, it elicits empathy on a subject that most of us choose not to dwell on nowadays. Aki Kaurismäki has the unbelievable skill of distilling tragic events into their humane component. A movie to give credit to, and to watch without any prior expectations – unless you’re familiar with Aki Kaurismäki’s previous work.

Girl won four awards at the Cannes Film Festival last year and was nominated to 9 Magritte Awards. It was also Belgium’s entry to the Oscar for best foreign-language film. When a dance school accepts her, Lara has the opportunity to realize her dream and become a professional ballerina. The dancing takes a toll on her body, but her biggest obstacle is that she was born into the body of a boy. Girl illustrates the trans teenage experience with sensitivity, slowly and humanly making Lara’s anguish become the viewer’s. Based on a true story.

Produced by Eminem, Bodied is like if the rap battles of 8 Miles lasted a whole movie, and that movie was a comedy. Adam is a white poetry major who studies battle rap and believes they represent the most modern form of poetry. His fascination leads him to participate and win in a battle and subsequently enter that world. But this is anything but an underdog story – Bodied is more of a satire of what Adam represents and how his college entourage reacts to his offensive lyrics. This is a funny movie and an interesting commentary on what it means to be offensive nowadays.

Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Hugh Jackman, Allison Janney, and Ray Romano star in this true story of a big academic corruption case. Hugh Jackman is (of course) excellent as a successful and dedicated superintendent with a complicated personal life. However, when a curious student with the school journal starts digging around in a project he promotes, she uncovers what will become the largest public school embezzlement in the history of the U.S. 

The performances stretch the story to its full potential, as this movie would be nothing without its incredible cast. It should be watched for the acting. Eventually, it suffers from a problem common to all movies based on newspaper articles: the story can be told in a single article.

This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister’s funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.

Bull is a gritty and haunting drama featuring a phenomenal performance by Rob Morgan as a bullfighter. In a poor Houston suburb, he plays an aging and lonely black man doing everything he can to survive. He brushes off unrelenting racism, rides even when it’s life-threatening and raises chickens to sell them. His next-door neighbor is a grandmother taking care of her daughter’s kids while the daughter is in jail. One day one of these grandaughters harms the chickens and vandalizes Abe’s house, prompting them to clash.

The Last Man on the Moon is a documentary about astronaut Eugene Cernan, Commander of the Apollo 17 lunar landing mission in 1972. Chronicled by Cernan himself as he reminisces on his life, the film follows his early career with the Navy, his recruitment and training as an astronaut, and his participation in 3 trips to space: Gemini 9A, Apollo 10 and eventually Apollo 17—the last of NASA’s six expeditions to the Moon. Cern also delves heartfully into his loss of friends as well as his regretfulness for missing out on so much family time while away. It’s a poignant and inspiring account, with Cern providing a fine lesson in the confidence and diligence in takes to pursue and accomplish one’s dreams

Probably the weirdest film you’ll ever see. Paul Dano plays a borderline suicidal man who befriends a farting corpse that washed up from the sea as played by Daniel Radcliffe. It’s an adventurous, witty and hilarious film yet it is filled with discreet and very deep lessons about society and norms. The soundtrack is so charmingly unique as well, it’s a definite must-watch for anyone looking for a refreshing comedy.

Two brothers played by Channing Tatum and Adam Driver decide to rob a local NASCAR event, the Charlotte Motor Speedway in North Carolina.

They put together a team to help them, with Daniel Craig as the demolition expert and Katie Holmes as the gateway driver. Other big names behind this project are actors Seth MacFarlane and Hilary Swank; and director Steven Soderbergh, who is best known for Ocean’s Eleven, Ocean’s Thirteen, and Magic Mike.

The main characters are cheerful and just goofy enough to be completely unpredictable. Their heist is as chaotic as it is random, which inevitably leads to many funny moments. The performances by the whole cast are amazing, Daniel Craig is almost unrecognizable.

A friend once described this movie as Ocean’s 7 Eleven, and it’s hard to come up with a better line.

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience.

Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story.

Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.)

This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against.

Two worlds clash, poor and rich, in a movie that’s really three movies combined into one – a character-study, a romance, and a revenge thriller.

This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality.

The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling.

Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.

This is a documentary with a dark underbelly. When Bobby Shafran goes on his first day at college, everyone seems to recognize him. The person they’re actually recognizing is his twin brother, as the two were separated at birth by an adoption agency. A third brother surfaces to make the story even crazier, but things take a darker turn when questions arise about why they were separated as toddlers and to what end. If it wasn’t a documentary, this story would be an unusual science fiction on the themes of identity and nature vs. nurture.

This Mexican movie set between Queens, New York, and Monterrey, Mexico is a stunning and profound work of art.

Ulises is the leader of a street dancing group that loves Cumbia, an Afro-Colombian style of music. Dancing is an alternative to being sucked in into gang life, which Ulises and his bandmates have ties to.

Ulises is good, and his town starts noticing. But just when his community is flourishing and his dancing is becoming famous, a wrong-time/wrong-place situation has a gang force him to leave everything behind and immigrate to the U.S. He suddenly finds himself lonely and living a life of undocumented existence.

But that is not the progression of I’m no Longer Here, which intertwines scenes of Ulises thriving in Monterrey and alone in New York. The difference is stark and depressing, but the camerawork and great performances are a constant source of cinematic brilliance.

From countries like Finland to North Korea, this amazing documentary explores the most fascinating active volcanoes on our planet. But as it unfolds you realize that Into the Inferno is a movie as much about volcanoes as it is about the people obsessed with them. And who can be called obsessive more than the film’s own director, Werner Herzog, who, with such an explosive career had to eventually make a film about volcanos (bad pun intended). Beautiful scenery, interesting interviews, and Werner’s majestic delivery all make Into the Inferno both an interesting and satisfying documentary.

Horror movies have always been creepier to me when they play on our fear of the “unknown” rather than gore. Under The Shadow does exactly that. The story is based around the relationship of a woman, Shideh, and her daughter, Dorsa, under the backdrop of the Iran-Iraq war. As widespread bombings shake the ground beneath their feet, the two grapple with a more insidious evil that is faceless and traceless, coming and going only with the wind. The movie’s dread-effect plays strongly on feelings of isolation and helplessness. The scares are slow and it’s obvious the director takes great care in making every single second count and in raising the unpredictableness of the action. Like the bombs, the audience never knows when or how the next apparition will materialize. The former is always on the edge of fear, wondering what is no doubt there, but is yet to be shown on the frame. In terms of significance, Under The Shadow features too many symbolisms to count and will most likely resonate with each person differently. But one thing remains relatively unarguable: this is a wonderful movie.

This is the first film directed by actor Macon Blair (so good in both Blue Ruin and Green Room), and while it is shaggy and tonally all over the place, there is a lot to recommend here. First off, I’m a huge fan of the (underrated) Melanie Lynskey, so I was primed to like this movie from the get-go. After Ruth’s (Lynskey) home is broken into, she seeks revenge against the perpetrators with help from her martial arts obsessed neighbor Tony (Elijah Wood, sporting an impressive rat-tail). What starts out as an empowering journey for Ruth & Tony quickly teeters into dangerous and increasingly violent territory. This movie is probably not for everyone, but if you’re a fan of 90s indie films and don’t mind some violence mixed in with your dark humor, then you will enjoy this small, well-acted film.

An instant essential film in the Jim Jarmusch catalog. In his traditional directing fashion, Paterson disregards plot and instead finds inspiration in deconstructing the seemingly mundane aspects of life. Adam Driver stars as a bus driver and amateur poet who leads a content life staying away from change as much as possible. His girlfriend, Laura (played by Iranian actress Golshifteh Farahani), is the complete opposite: eager to be creative, to explore new paths, and to decorate and design every object in her life. Jarmusch takes these two characters, adds only a few others, and makes a movie that celebrates similar so-called simple lives, reaching surprising levels of beauty. Again, not much happens in terms of plot, and the pace is slow. But if you are interested in the kind of movie that will let you into people’s lives, you will love Paterson.

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it’s also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters’ house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood’s best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting “things to happen”, but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor’s debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called “A Fantastic Woman”.

If you’ve never heard of Sonia Braga, you’re in for a ride with this movie. She is, in my opinion, one of the best actresses alive today. In Aquarius, she stars as a 65-year-old trying to keep the home in which she pledged to die. In a quiet, yet stoically powerful performance, she reminds us that identity often intersects with the spaces in which we live.

Iceland is a country of vast lands but limited population – only about 300,000 people can call themselves Icelandic. On the other hand, 8 million people have connecting flights through Iceland every year. 

In this setting of mass movement, a single mother dealing with poverty is offered a chance to turn things around – a job as a border agent. One of her first days, she comes across an asylum seeker on a connecting flight from Guinea Bissau to Canada, trying to cross with a fake passport. 

Their stories don’t only intertwine as border agent and asylum seeker, but as two mothers. And Breathe Normally is about struggling with poverty both in Europe and coming from a place like Guinea Bissau. It’s a beautiful, plot-heavy statement on the importance of solidarity and of seeing the human behind the country of origin or race. 

An insightful and thoughtful Canadian coming-of-age drama, Giant Little Ones is about two seventeen-year-old best friends whose relationship changes after an incident one night. Spanning a quick 90 minutes, it manages to tell its story quickly and honestly, as it touches on themes of sexual identity not only for the teenagers but for their parents as well. And it has a great message about tolerance. It’s a lovely and wholesome movie. 

You may have heard about this 2019 critic-favorite from clips like this one of a kid running to flee the movie theater during a screening. “little billy ran the f**k out the door”, the caption reads.

You will want to do the same. Recovering from losing her sister and her parents in a single incident, a young girl goes on a trip to Sweden to observe a ritual within a bizarre commune that occurs every 90 years. This cult’s idea of death and their traditions intersect with the girl’s grief to create unthinkable monstrosities.

Note: while some readers praise the movie for its depiction of anxiety, I highly recommend against watching Midsommar if you suffer from panic attacks.

An incredible documentary about Matt Green, a man who decided to walk every street in New York City. That’s more than 8000 miles (more than the diameter of Earth) that he had been walking for six years up to the point of making this movie.  

Matt stops. And that’s the beauty of this documentary, where the filmmaker joins him for part of the journey. You quickly realize that the intrigue is not so much about Matt’s challenge, but about who he meets and what kind of experiences he goes through. You also realize (if you didn’t already) that New York is a place of unimaginable size, with incredibly lively and diverse human stories. Plus lots of other forms of life too: Matt doesn’t have a fixed place, so he cat-sits for shelter.

Fun fact: this is the first movie that actor Jesse Eisenberg ever produced!

Robert Pattinson and Willem Dafoe are the only two actors starring in this eccentric movie, and they deliver such grand performances that it feels like another actor would have been one too many.

They star as lighthouse keepers in the 19th century, left on an island to interact only with each other and their rock. It’s a fascinating premise of how these men, left on their own, deal with boredom, loneliness, and being annoyed with one another.

Incredible performances, an interesting aspect ratio, and perhaps excessive weirdness, make this movie unforgettable.

This informative documentary about the former president of the Soviet Union Mikhail Gorbachev is set against modern-day interviews with him that span 6 months. Sitting opposite of him is the Gorbachev equivalent in filmmaking: Werner Herzog. The prolific director asks interesting questions and narrates events that illustrate Gorbachev’s forgotten importance: ending the cold war, a push for denuclearization and avoiding bloodshed during the fall of the Soviet Block. The fact that Gorbachev is loved by so many, including Herzog – who at some point actually says “I love you” – might be the only problem with this documentary. It’s a great reminder of why people loved the Soviet leader, a phenomenon otherwise known as “Gorbymania”, but it does very little in portraying him in a critical light.

This Oscar-nominated French movie is set in Montfermeil, the Paris suburb where Victor Hugo wrote Les Misérables but which today is a rough neighborhood.

Inspired by instances of police violence that happened in 2008, the movie follows a squad of police officers who try to keep the neighborhood under control. Their methods, or lack thereof, inevitably cause things to explode. This is a thriller with a message, one which sometimes feels forced; but the payoff at the end will make you forget all of that.

Good movies usually aren’t lengthy movies, unless we’re talking about cases like Toni Erdmann. It’s a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you’re a bit patient you will be surprised how much this movie will reward you.

Twisted yet deep. Sad yet interesting. Slow yet exhilarating. A Ghost Story is an incredible artistic achievement. With hardly any dialog, and breathtakingly long takes in its first half, it manages to bring you in its own creepy world and not let go until you feel completely lonely. Starring Rooney Mara and Casey Affleck as a loving couple who are hit with a horrible tragedy, the beginning is slow, and it’s not a plot driven movie, but if you give it a chance it will blow your mind.

The Square is a peculiar movie about a respected contemporary art museum curator as he goes through a few very specific events. He loses his wallet, his children fight, the art he oversees is does not make sense to an interviewer… Each one of these events would usually require a precise response but all they do is bring out his insecurities and his illusions about life. These reactions lead him to very unusual situations. A thought-provoking and incredibly intelligent film that’s just a treat to watch. If you liked Force Majeure by the same director, The Square is even better!

A24 + Steve Buscemi = ?. 

In “Lean on Pete,” Buscemi plays a guy called Del Montgomery (of course), who is a racetrack horse owner in Portland, Oregon. He befriends a kid, Charley (Charlie Plummer in an amazing performance), who had been abandoned by his family and is new to Portland. 

Together they take care of Montgomery’s only horse, until the kid discovers that the horse is set to be slaughtered. He embarks on an impossible journey across the U.S. to try to save the horse while also looking for his family. 

This movie flew under most peoples’ radars. It is truly amazing. If you like “Lean on Pete” you should watch other A24 gems like “Lady Bird” or “The Florida Project.”

You live in a strange world. Or at least, that’s what the generation before you thinks. Eight Grade is a movie that follows a girl going through her generation’s strange world. Social media, selfies, Youtube; you name it. But also, the weight of her expectations (as shaped by the internet) versus her reality. Written and directed by famous comedian Bo Burnham, it’s a gentle and often funny look at our anxieties and how they shape our growth. Prepare for a lot of cringes.

This is a star-packed movie about two brother assassins played by John C. Reilly and Joaquin Phoenix, and starring Jake Gyllenhaal. You might have read the book of the same name, and it is always hard to make a great film out of a great book but the brilliant director of A Prophet Jacques Audiard has done it (again). He is aided by a superb darkly comic script and fantastic acting from the entire cast. Audiard is French, but his take on the American Western is filled with epic violence but also witty dialogue, brotherly love, and male camaraderie.

This movie’s energy is completely intoxicating.

It’s the directorial debut of renown British/Nigerian actor Chiwetel Ejiofor, but it feels like the work of a veteran.

In a true story told in English and Chichewa (a language from Malawi), a young boy is expelled from school because his parents couldn’t afford tuition. At the same time, his village is struck by a variety of natural circumstances that bring them the threat of drought and famine.

The young boy sneaks into the library in the hopes of making a windmill and saving his village, and you can guess what follows from the title.

The triumph of engineering and a boy with a dream; mix in an incredibly interesting culture, full of unique family dynamics and a thought-provoking intersection between religion, tradition, and technology. The result is a delicate but uplifting movie, not to be missed.

Graduation is a Romanian movie from the director of the Palme d’Or winner 4 Months, 3 Weeks and 2 Days (also number 15 in the BBC’s 100 Greatest Films of the 21st Century.)

Romeo is a 49-year-old doctor in the city of Cluj-Napoca. He is immensely proud and dedicated to his daughter, Eliza, who gets awarded a scholarship to go to Cambridge provided that she does well in her last high-school exam.

The day before this exam, Elisa is sexually assaulted outside her school, and her wrist is broken. The event haunts the family and jeopardizes Elisa’s chances of succeeding in her exam.

Romeo, still determined to ensure his daughter’s success, vows to do anything to not let the assault ruin his daughter’s future. Graduation is about this father and daughter duo as they go against a corrupt but quickly changing Romanian system.

A crazy, anxiety-inducing thriller that turns Adam Sandler into a thrill-generating machine, which in its own speaks volumes about the rhythm of this movie. It follows a jeweler who gets himself in trouble with what feels like all of New York – a gang, Kevin Garnett (the NBA player), other jewelers, his family, odd twins that appear out of nowhere – everyone. This all happens in the backdrop of him feeling he has “hit big” and is on the verge of receiving a lot of money.

If you watched Good Time, you know what to expect from directors Safdie brothers: excruciating tension that keeps building up when you thought it wasn’t possible. And that might be the only problem with Uncut Gems; the tension doesn’t feel that different from Good Time, and having watched one you can guess where the other one is going.

This drama is based on the true story of Bryan Stevenson, a young Harvard graduate who moved to Alabama in the 80s to defend wrongly accused prisoners on death row. He’s played by Michael B. Jordan, who brings to the surface the unstoppable determination and ambition of the character. Components that were necessary to go on such a difficult task, especially with the racist barriers at the time. Not to mention, no one had ever been released from death row in the history of Alabama at that point. An inspiring and well-acted movie, made by Short Term 12 director Destin Daniel Cretton.

The Siege of Jadotville is a different kind of war movie. It doesn’t recount famous battles or portray renowned heroes – instead, it’s about heroes and events that went completely unnoticed. Namely, the Irish 35 Battalion ‘A’ Company – a group of youngsters who are sent out on a U.N mission to the Congo. What was supposed to be a simple positioning quickly becomes one of the most sought-after locations and the battalion of 150 ‘war-virgins” find themselves up against 3000 mercenaries led by experienced French commandants. And what a tribute this film is: it’s well-paced, powerfully shot, and the acting, led by Jamie Dornan on one side and Guillaume Canet on the other, is absolutely perfect.